Fougueux & passionné. Chanson napolitaine et orchestre symphonique. Paroles
Aieressera, oì nanninè, me ne sagliette, tu saie addò tu saie addò Addò 'stu core 'ngrato cchiù dispietto farme nun pò! Addò lo fuoco coce, ma si fuie te lassa sta! E nun te corre appriesso, nun te struie, 'ncielo a guardà!... Jammo, jammo 'ncoppa, jammo jà, funiculì, funiculà!Né... jammo da la terra a la montagna! no passo nc'è! Se vede Francia, Proceta e la Spagna... Io veco a tte! Tirato co la fune, ditto 'nfatto, 'ncielo se va.. Se va comm' 'à lu viento a l'intrasatto, guè, saglie sà! Jammo, jammo 'ncoppa, jammo jà, funiculì, funiculà!Se n' 'è sagliuta, oì né, se n' 'è sagliuta la capa già! È gghiuta, pò è turnata, pò è venuta... sta sempe ccà! La capa vota, vota, attuorno, attuorno, attuorno a tte! Sto core canta sempe nu taluorno Sposammo, oì né! Jammo, jammo 'ncoppa, jammo jà, funiculì, funiculà!
Pop Noël. Intro magique & lumineuse avec chœur "Christmas". Cloche ...Pop Noël. Intro magique & lumineuse avec chœur "Christmas". Cloche @ 0'19 jouant "Deck the Halls". Entraînant, positif, feel good, fédérateur & festif. Chanteuse anglaise, paroles sur un Noël magique, drum machine, synthé, grelots, basse & piano.Paroles
I'm on my sleigh, I'm on my sleigh ride
Snowflakes, snowflakes are dancing wild
Tell me, is it the season? Hold me, I just want to feel Christmas
Christmas in your smile
I'm on my sleigh, I'm on my sleigh ride
Frosted windows, a silent night
Help me, I just want to hold you, show you how it feels
refrain:
Christmas is magic
Twinkles in the night
Everyone’s laughing
Warming the coldest heart
Christmas is magic
Twinkles in the night
Everyone’s laughing
Warming the coldest heart
couplet:
I'm on my sleigh, I'm on my sleigh ride
Snowflakes falling, the stars aligned
Tell me, can we believe it? Show me what it means—Christmas
Christmas in your heart
I'm on my sleigh, I'm on my sleigh high
Hoping magic is passing by
Tell me, is it the real one? Whisper, let me feel Christmas
Christmas in your light
Célèbre gospel/folksong connu depuis la seconde moitié du 19ème ...Célèbre gospel/folksong connu depuis la seconde moitié du 19ème siècle évoquant la plainte d'une âme sur le chemin de la vie "I am a poor wayfering stranger". Emouvant & triste. Chanteur dans un esprit soul, chimes & nappes de synthé. Instrumental tr-15.Paroles
Chanson de travail sur les prisons, l'exploitation forestière et les ...Chanson de travail sur les prisons, l'exploitation forestière et les chemins de fer de la fin du 19ème siècle également connue sous le titre Nine Pound Hammer. Chanteur dans un esprit country & western, banjo, harmonica & dobro. Soubassophone & batterie @ 0'58. Instrumental tr-16.Paroles
Chorus
Take this hammer and carry it to the captain
Take this hammer and carry it to the captain
Take this hammer and carry it to the captain
An’ Tell him I’m gone
Tell him I’m gone
Verse 1
If he ask you was I runnin’
If he ask you was I runnin’
If he ask you was I runnin’
Tell him I was flyin’
Tell him I was flyin’
If he ask you was I laughin’
If he ask you was I laughin’
If he ask you was I laughin’
Tell him I was cryin’
Tell him I was cryin’
Chorus
Take this hammer carry it to the captain
Take this hammer carry it to the captain
Take this hammer carry it to the captain
Tell him I’m gone
Tell him I’m gone
Verse 2
I don’t want no green back dollar
I don’t want no green back dollar
I don’t want no green back dollar
It hurts my pride
It hurts my pride
Chorus
Take this hammer carry it to the captain
Take this hammer carry it to the captain
Take this hammer carry it to the captain
Tell him I’m gone
Tell him I’m gone
Take this hammer carry it to the captain
Tell him I’m gone
Tell him I’m gone
Traditional arranged by Manuel Galvin & Jean-Jacques Milteau
Blues & standard de jazz d'origine inconnue "Well, I’m going down ...Blues & standard de jazz d'origine inconnue "Well, I’m going down to the St. James Infirmary, to see my baby there". Tragique & désabusé. Chanteur dans un esprit blues/soul, snaps, soubassophone, batterie & marimba. Instrumental tr-17 & 18.Paroles
Verse 1
Well, I’m going down to the St. James Infirmary,
to see my baby there
She was all stretched out,
on a long white table
So sweet, so cold, so bare
Verse 2
Let her go, go ! Ahh, my little Baby, Where ever she can be You may search this whole world all over
But she’d never find a sweet man like me
Verse 3
Now, when I die, bury me in Stetson shoes A Stetson coat, and a Stetson hat
And put a twenty dollar gold piece on my watch chain
So the cats know, that I died fat
Ad Lib
St. James Infirmary, where can my baby be ?
It’s just at St. James Infirmary, yeah
Let my baby go, let my baby go Let my Baby go, go, go
Folksong/ standard country & western d'origine incertaine de la fin ...Folksong/ standard country & western d'origine incertaine de la fin du 19ème siècle également connu sous le titre "Cowboy Love Song". "De cette vallée où on dit que tu t'en vas". Mélancolie d'un amour perdu. Chanteur country, guitare, slide dobro, basse, harmonica et banjo. Instrumental tr-19.Paroles
Ballade traditionnelle de la fin du XIXe siècle originaire des ...Ballade traditionnelle de la fin du XIXe siècle originaire des Appalaches du Sud, également connue sous le nom de Black Girl ou My Girl. "In the pines, in the pines, where the sun never shines, And you shiver when the cold winds blow". Chanteur dans l'esprit country & western, contrebasse, slide dobro, banjo & e-bow guitar @ 0'54. Instrumental tr-21 & 22.Paroles
Work song dans un esprit gospel/blues. Inspiré & méditatif. Voix ...Work song dans un esprit gospel/blues. Inspiré & méditatif. Voix blues fredonnée, percussion, banjo @ 0'25, choeur & batterie @ 0'48. Mandoline @ 1'12. Instrumental tr-23.
Célèbre folksong du 19ème aussi connu sous le titre The Great Rock ...Célèbre folksong du 19ème aussi connu sous le titre The Great Rock Island Route et devenu un standard de la country music. "From the great Atlantic ocean to the wide Pacific shore...". Chanteur country, rythmique, banjo, mandoline avec une touche bluegrass. Harmonica solo @ 1'25 & guitare électrique. Instrumental tr-26.Paroles
Verse 1
From the great Atlantic ocean to the wide Pacific shore
From the queen of flowing mountains to the south side by the shore
She's mighty tall and handsome and known quite well by all
She's the combination on the Wabash Cannonball
Verse 2
Now She came down from Birmingham one cold December day
As she rolled into the station you could hear all the people say
There's that gal from Tennessee she's long and she's tall
She came down from Birmingham on the Wabash Cannonball
Verse 3
Yeah Listen to the jingle the rumble and the roar
As she glides along the woodland through the hills and by the shore
Hear the mighty rush of the engine hear that lonesome hobo call
You're traveling through the jungle on the Wabash Cannonball
Verse 4
Our Eastern states are dandy so the people always say
From New York to St. Louis and Chicago by the way
From the hills of Minnesota where the rippling waters fall
No chances can be taken on the Wabash Cannonball
Verse 5
So Listen to the jingle the rumble and the roar
As she glides along the woodland through the hills and by the shore
Hear the mighty rush of the engine hear that lonesome hobo call
You're traveling through the jungle on the Wabash Cannonball
Folksong devenu populaire durant les mouvement sociaux des années 50 ...Folksong devenu populaire durant les mouvement sociaux des années 50 et 60 aux Etats-Unis. "All my trials, Lord, Soon be over". Voix & choeur dans un esprit gospel. Orgue @ 0'55. Percussions & guitare e-bow @ 1'23. Instrumental tr-27.Paroles
Chanson gospel de la tradition Afro-Américaine du 19ème siècle. ...Chanson gospel de la tradition Afro-Américaine du 19ème siècle. Go, tell it on the mountain, Over the hills and everywhere, Go, tell it on the mountain,That Jesus lives again...". Introduction avec voix & choeur gospel a cappella. Rythmique & guitare électrique @ 0'31. Instrumental tr-30.Paroles
Chorus
Go! Tell it on the mountain!
Over the hills and everywhere
Go! Tell it on the mountain!
That Jesus Christ is born
Verse 1
While shepherds kept their watching,
Over silent flocks by night
Behold, throughout the heavens,
There shone a holy light
Chorus
Go! Tell it on the mountain!
Over the hills and everywhere
Go! Tell it on the mountain!
That Jesus Christ is born
Verse 2
The shepherds feared and trembled,
When low above the earth
Rang out ,angels chorus that hailed
Our saviours birth
Chorus
Go! Tell it on the mountain!
Over the hills and everywhere
Go! Tell it on the mountain!
That Jesus Christ is born
Chorus as lib
Go! Tell it on the mountain!
Over the hills and everywhere
Go! Tell it on the mountain!
That Jesus Christ is born Go tell it! Go tell it Go tell it! On the mountain
Version country/folk de tr-1. Introduction avec voix a cappella. ...Version country/folk de tr-1. Introduction avec voix a cappella. Ukulélé @ 0'33, nappes & basse @ 1'05. Banjo @ 1'37.
Version instrumentale de tr-1. Inspiré, panoramique & méditatif. ...Version instrumentale de tr-1. Inspiré, panoramique & méditatif. Guitare électrique lead & nappes de synthé.
Version instrumentale de tr-2 dans un esprit Americana. Dobro slide, ...Version instrumentale de tr-2 dans un esprit Americana. Dobro slide, guitare, mandoline, lap steel, soubassophone & drums progressant jusqu'au final.
Version instrumentale de tr-3 dans un esprit blues des années 20. ...Version instrumentale de tr-3 dans un esprit blues des années 20. Triste & errant. Violon lead, banjo, mandoline, marimba, soubassophone & batterie @ 0'44.
Version instrumentale de tr-4 dans un esprit country/bluegrass. ...Version instrumentale de tr-4 dans un esprit country/bluegrass. Mandoline, guitare, & dobro slide. Fiddle solo & basse @ 0'58. Harmonica solo @ 1'29.
Version alternative de tr-6. Sérieux & désertique. 1ère part ...Version alternative de tr-6. Sérieux & désertique. 1ère part lente. Guitare baryton twangy. 2ème part médium avec guitar électrique @ 1'05, nappes, rythmique & guitare e-bow.