Dramatic, sombre, emotional. Muffled sub bass plays out alongside muddy guitar riff, with male vocalist warming up into autotuned hook. Sharp trap Dramatic, sombre, emotional. Muffled sub bass plays out alongside muddy guitar riff, with male vocalist warming up into autotuned hook. Sharp trap style with chattering hi hats and heavy bass. Lyrics tell a story of heartbreak and betrayal, confident in talents but expressive around emotions and feelings of sadness. Guitar riff gifts an organic rock energy contrasting with heavily electronic percussion.Paroles
I'm just gonna let it ride for a second. I took it all for you, I took it all, I took it all for you, I took it all, Locked away my heart and den you threw away the key. I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all, (Took it all), I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all. Locked away my heart and den you threw away the key (threw away the key), Running round and round but ain’t got no place to be (yeah), I took it all for you, I took it all, I took it all for you, I took it all. High standards (high), really fly status (fly), You know it ain’t cappin (cap) if you really good at it (yeah), Take me out da hood but you can’t take my hood habits (hood habits), Brick for a verse and I call it jugg rapping (jugg), Know you heard dem stories about me now I’m a dog (dog), But every late night I be in ya call log, Hit it so good in the morning call off, Girl, I’m up right now, I could never fall off. Who dem must be trippin' know that I don't work for free (hey), Burning all this sage man keep that away from me, Baby I can’t play the game if I can’t play for keeps (keeps), Treat me like a dog you need to keep me on a leash (leash). I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all, (Took it all), I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all. Locked away my heart and den you threw away the key (threw away the key), Running round and round but ain’t got no place to be (yeah), I took it all for you, I took it all, I took it all for you, I took it all. Play me like a sucker, I could love her but don’t trust her, I be lookin' in the mirror, And be feelin' so disgusted, And you can leave today, And then tomorrow have another, But they’ll never be another, Just remember when he touch it, Riding with my pistol (pistol), Blow me like a whistle (whistle), Mane I’m so authentic, And you know they artificial, Baby I’m a shark off in the water with the fishes (water with the fishes), Made a split decision and you really did me vicious. I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all, (Took it all), I took it all for you, (Hey!), I took it all, (Took it all), I took it all for you, I took it all. Locked away my heart and den you threw away the key (threw away the key), Running round and round but ain’t got no place to be (yeah), I took it all for you, I took it all, I took it all for you, I took it all. All for you, All, All for you, I took it all, All for you, All, All for you, I took it all.
Dramatic, sombre, emotional. Muffled sub bass plays out alongside muddy guitar riff, echoing notes convey a wistful energy. Guitar riff gifts an Dramatic, sombre, emotional. Muffled sub bass plays out alongside muddy guitar riff, echoing notes convey a wistful energy. Guitar riff gifts an organic rock energy contrasting with heavily electronic percussion. Instrumental version.
Buoyant, energetic, confident. Piano riff joined by African percussive sounds, building a pure raw energy. Riser into rhythmic bass and powerful Buoyant, energetic, confident. Piano riff joined by African percussive sounds, building a pure raw energy. Riser into rhythmic bass and powerful vocal performance with lyrics boasting skills and success. Repetitive beat conveys a sense of consistency and addictive sense of rhythm. A smart individual who does not play with their money, and keeps themselves focused on accruing wealth with no need for distractions.Paroles
I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen. Spread like a sheet and I hit like a parlay, Ball feelin' like I’m Marco Piemonte, Max it out, run it up, do it all one day, I just got a ticket I was speeding on a one way, Meet up with the plug so you know I do it Grande, Finna get a rental out the packs up in a Hyundai, I been in the middle so I’m feeling like a hump day, I might igg you over dollars like Andre, Ooo well, Shawty put a hex on me no spell, Bag on me you can look won’t tell, Got the pack on me, You can look gone sale, yeah! Brand new drop location on the rooftop, Overlooking everything dressed in a suit top, Constantly gazing I’m feeling amazing, Can’t slow me down when this paper I’m chasing. I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen.I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen. Spread like a sheet and I hit like a parlay, Ball feelin' like I’m Marco Piemonte, Max it out, run it up, do it all one day, I just got a ticket I was speeding on a one way, Meet up with the plug so you know I do it Grande, Finna get a rental out the packs up in a Hyundai, I been in the middle so I’m feeling like a hump day, I might igg you over dollars like Andre, Ooo well, Shawty put a hex on me no spell, Bag on me you can look won’t tell, Got the pack on me, You can look gone sale, yeah! Brand new drop location on the rooftop, Overlooking everything dressed in a suit top, Constantly gazing I’m feeling amazing, Can’t slow me down when this paper I’m chasing. I like to count the money backwards, Put it in a safe time capsule, Yea, I live life like a bachelor, Girl, I might hit it den ghost like Casper, Speed it up move faster, Runnin' to da money so fast overlapping, Swipe like a card so you know dat ima max it, Quarter of dat thang same color as a taxi, Down on da odds but I still made it happen.
Buoyant, energetic, confident. Piano riff joined by African percussive sounds, building a pure raw energy. Riser into rhythmic bass and steady Buoyant, energetic, confident. Piano riff joined by African percussive sounds, building a pure raw energy. Riser into rhythmic bass and steady electronic beat. Repetitive beat conveys a sense of consistency and addictive sense of rhythm. Visions of a confident individual in a club, someone who does not play with their money, and keeps themselves focused on accruing wealth with no need for distractions. Instrumental version.
Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Male autotuned vocals sing about an individual that treats Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Male autotuned vocals sing about an individual that treats them bad, but they can't get enough of, a lustful love situation. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men.Paroles
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
So cold sayin' things you don’t mean, Only time we good when I’m in dem jeans, Either that or bad ain no in between, But I want ya I be feelin' like a fiend, Goosebumps every time dat you touch me, When we up I be feelin' like I’m lucky, When we down I be feelin like I’m cursed, Slick talk and attitudes be da worse, But you love it when dem racks in yo purse, Nails done hair did girl I see you work, But u steady playin' wit my top like a jerk, Heart so cold I got used to the hurt.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future, I gotta go like somebody callin' me, Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you got me hard, Like Medusa, From the back, you know I kill it, I’m the ruler, Iced out, chain on, Shout out to my jeweler, Big rocks, big clocks, Hmmmm Frank Mueller, He might russel with you, But I’m tryna be ya future, If you are scared of the thunder, Then go, If you stay, mmmmm Ima watch it roll, Don’t be shy, Baby come up out them clothes, Shawty slow down, When you wine down that poll,
Left cheek, right cheek, Mamma shaking fast,Shawty getting money, And she got her haters mad, You don’t pay her bills, Keep them slicks to yourself, Shawty she a G and, She don't need nobody else.
Girl, you know you cold like Medusa, I can tell you been messin' wit losers, But I got some things I wanna do to ya, But I know you bad for my future,
I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya, But I know you bad for my future.
Girl, you know you cold like Medusa,
I can tell you been messin' wit losers,
But I got some things I wanna do to ya, But I know you bad for my future,
I gotta go like somebody callin' me,
Holdin' my heart quit stallin' me, But first I got some things I wanna do to ya,
Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Buoyant bass gifts an infectious dance aura, a sweaty dark Exotic, determined, hypnotic. Drooping synth notes play out over a gentle afrobeat rhythm. Buoyant bass gifts an infectious dance aura, a sweaty dark club with people dancing passionately. Comparison to Medusa conveys a female energy, a girl with the power to hypnotise men. Instrumental version.
Powerful, wistful, strong. Swirling synths and guitar play out a dramatic sequence, falling into a heavy bass rhythm. Male autotuned vocals talking Powerful, wistful, strong. Swirling synths and guitar play out a dramatic sequence, falling into a heavy bass rhythm. Male autotuned vocals talking to a love interest about how they stay cool and focus on making money. Catchy lyrics with comedic comparisons infers a confident aura. An individual who has control of their life and has control over others, a top dog or someone people fear and respect.Paroles
Sandals, I just hit yo chick in Gucci sandals, Candle, rollin' up I’m burnin' like a candle, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler, Put em on dat rope you know I make em walk a line, Haters steady talking I pay them no never mind when I, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler.
Colder than da ice up in dat cooler,
I got money on madula,
Want dat smoke I bring it to ya, Ay I’m makin' lil shawty move her body like a dancer, Answer, I don’t even know da question random, Vamping, I just popped a 30 so I’m vamping, All night baby Ima hit it till I’m cramping, Head game honor student like she went to Hampton, I don’t hold no hands really not into romantics, Shawty clean me up yeah she got manners, I got, all diz money on me like a scammer, Nailin it you know I keep da hammer,
Fit you in my schedule I write it in my planner.
Sandals, I just hit yo chick in Gucci sandals, Candle, rollin' up I’m burnin' like a candle, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler, Put em on dat rope you know I make em walk a line, Haters steady talking I pay them no never mind when I, Shake em, ballin' on ‘em baby dey can’t handle, Actors, who you know that's funny Adam Sandler.
Powerful, wistful, strong. Swirling synths and guitar play out a dramatic sequence, falling into a heavy bass rhythm. Cool, slick sound reminiscent Powerful, wistful, strong. Swirling synths and guitar play out a dramatic sequence, falling into a heavy bass rhythm. Cool, slick sound reminiscent of an individual who has control of their life and has control over others, a top dog or someone people fear and respect. Instrumental version.
Cool, energetic, unique. Powerful sub bass launches into echoing guitar riffs and emotive autotuned crooning. Lyrics separating lyricist from his Cool, energetic, unique. Powerful sub bass launches into echoing guitar riffs and emotive autotuned crooning. Lyrics separating lyricist from his competition, characterised as someone who is strong and avoids the pitfalls of life due to their austere nature and focus. Ignoring haters and only focusing on money. Trilling guitars infers a feeling of emotion, indicative of a love for the grind.Paroles
You know we ain't cut the same, I come from a different cloth, I just ran my check up man and look at all of this I bought, I be hearing this and that but conversation let ‘em talk, Ain’t no sense in holding on you wanna leave I let you walk. Lately, it been feelin' like they trying me, Popped a 30 paranoid feel like they eying me, Throw that money when she pick it up it’s raking leaves, Really ballin' when you get it what they hate to see. I get that paper den I bounce, I get that paper den I’m out, I get that money then I pounce, Blow dat, blow dat by the ounce, Ooh she wanted me back then but I was busy what up now, Prolli took her on a date but day dreamin' bout an account, I run up the digits you know that I get it, I gotta go get it regardless, Even when I was broke, Wit no money account and my stomach would hurt when I’m starvin', Level up and took off like a Martian, Now them bands lookin' like they marching, Like a bull seeing red target, I be on it you know that I want it, Break it down like this shit a component, I got plugs it feel like I’m Tony, Mo connection than a fiber wire I can overnight it ain’t no waitin' on it, Everytime you get it then they hate it so it stay wit me, I can’t never let you in on secrets you might play with me. You know we ain't cut the same, I come from a different cloth, I just ran my check up man and look at all of this I bought, I be hearing this and that but conversation let ‘em talk, Ain’t no sense in holding on you wanna leave I let you walk. Lately, it been feelin' like they trying me, Popped a 30 paranoid feel like they eying me, Throw that money when she pick it up it’s raking leaves, Really ballin' when you get it what they hate to see.
Cool, energetic, unique. Powerful sub bass launches into echoing guitar riffs. Trilling guitars infers a feeling of emotion, indicative of a love for Cool, energetic, unique. Powerful sub bass launches into echoing guitar riffs. Trilling guitars infers a feeling of emotion, indicative of a love for the grind. Chattering trap hi hats offer an infectious energy. Instrumental version.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Lyrics about a toxic relationship, someone looking for affection Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Lyrics about a toxic relationship, someone looking for affection at the wrong times. Two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy.Paroles
Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line. You got needs, I got what you need, It’s so good ima bring you to ya knees, You looking good girl you need some high fashion, It’s first-class when you rollin' out with me, Money be callin', you know dat I answer, Way dat you movin' dat body like dancers, Hope dat you don’t mind I pull out my camera, You just do yo thing, we gone shoot a scene, When I pop a Xanny I might need some bed rest, Servin' Off White in the trap dead fresh, In a jump, pushing work leg press, Put you on a test just to see where to head at, Run off in yo spot be like where dat bread at, Rollin off a addy so my eyes dead red, I ain’t even vote but I need dead presidents, Drop me da location I’m pullin' up yo residence, in the late night. Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line is after midnight, Midnight, Midnight, The only time you hit my line is in the late night, The only time you hit my line.
Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Reminiscent of a sad but emotionally charged situation, two Sultry, dramatic, sombre. Dulcet guitar riff conveys a sense of sadness and sorrow. Reminiscent of a sad but emotionally charged situation, two people confusing lust and love, with feelings of doom and gloom mixing with sex-charged feelings. Electronic bass and subtle drumbeat offer a sultry, quiet storm energy. Instrumental version.
Strong, cool, slick. Echoing plucked strings and keys produce an atmosphere of tranquility and pain, a wistful energy. Male sings about keeping his Strong, cool, slick. Echoing plucked strings and keys produce an atmosphere of tranquility and pain, a wistful energy. Male sings about keeping his woman safe, being focused on his work, how is skills enable him to conduct himself without fear of punishment or reprisal. Sharp lyrical delivery mixing with melodious singing further asserting talent and supremacy.Paroles
Shawty keep tellin' me when she wit me she feel safe, Tell me yo secrets baby I’ll keep ‘em it’s ok (talk to me, talk to me), I need da paper so much that it’s really gone fill up the safe, I got my lawyer on speed dial I’m beating the case.
I feel like OJ I kill it and never be leavin' a trace, Wit a A K feel like T K doin' a Race, Man I’m so sick I’m in quarantine and
I'm never reportin' the case, I just rolled up a Gorilla finger and I'm finna take it to the face, Stock market on the crash, Streets locked raising price on the gas, Tip top when I roll out the bag, Jungle man when I pull out that jag, Do da dash burnin' out goin' fast, I could never let 'em mess up the cash, I keep the stick like Yosemite Sam, Call me collect if you get in a jam, Wizard of Oz you don’t use yo brain like the scarecrow, I meet my plug he lookin' like Eddie Guerrero, whoa,
I get that funny bone for the low that’s an elbow, Shawty she bad, you know she keeping that Chanel glow, Disrespectin' my love is a hell no.
Shawty keep tellin' me when she wit me she feel safe, Tell me yo secrets baby I’ll keep ‘em it’s ok (talk to me, talk to me), I need da paper so much that it’s really gone fill up the safe, I got my lawyer on speed dial I’m beating the case.
I feel like OJ I kill it and never be leavin' a trace, Wit a A K feel like T K doin' a Race.
Strong, cool, slick. Echoing plucked strings and keys produce an atmosphere of tranquility and pain, a wistful energy. Subtle vocal echoes offer a Strong, cool, slick. Echoing plucked strings and keys produce an atmosphere of tranquility and pain, a wistful energy. Subtle vocal echoes offer a dramatic energy, with flute melodies offering a buoyant energy. Chattering trap hi hats keep a steady beat, visions of a calm and collected individual keeping themselves focused. Instrumental version.
Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass, rhythm and emotive lyrical delivery. Lyrics about Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass, rhythm and emotive lyrical delivery. Lyrics about being popular and only trusting friends due to negative experiences and betrayals of trust. Concealing criminal activity successfully from authorities, fast delivery asserting a skill. Organ notes further supporting a feeling of seriousness, an individual who means business.Paroles
You go to that level I can’t go there with ya, I be fresh to death they wanna take my picture,
Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I get sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Money steady callin' got me answering,
Saran wrapping them packages wit Vaseline, They think I work at the corner store got gasoline, Know da vibes, even wit a stick you never beat the price, Know dat I get it, run up da digits, All of my pockets, money can’t fit it, Girl, I’m a dog, give me da kitty, Know ima hit it I get to da city, Mane I’m addicted to hustle committed, DNA I got Benjamin in me, Seen a likk, I’m so tempted to hit it, Then ima call a Uber when we finish.
Rollin' up the doh I feel like Homer Simpson, Baby I'm a mack but don't play with my pimping, We can ball together like we Jordan Pippen Moral of the story I don't do the trippin’,
You go to that level I can’t go there with ya,
I be fresh to death they wanna take my picture,
Rolling up da gas when I break down my swisher, Know I’m high, go inside, You ain’t gang, you ain’t live, You can’t tell me nothin' baby, I done been through it all, Need my fix or I gzt sick, I need that money to ball, She gone trip and flip on me, If I be missing her call, But that all go out the window, When I’m beating them walls.
Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass and rhythm. Organ notes further supporting a Serious, determined, stylish. Austere guitar lines sets out a meaningful tone, met with heavy bass and rhythm. Organ notes further supporting a feeling of seriousness, an individual who means business. Instrumental version.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass, with swiftly delivered ad libs. Lyrics about stacking a lot Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass, with swiftly delivered ad libs. Lyrics about stacking a lot of money in a short time, conducting business with a merciless demeanour. Lyrics with wordplay asserting a talent and a carefree energy. Slick instrumental asserts a sinister power.Paroles
Hey, hey, hey, Hey, hey, hey, Hey, hey, hey, Hey, hey, hey. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done. Runnin' through big stacks, Wit a quarter pound no Big Mac, Mane ima flex like a 6 pack, I come off uh da hip make em get back, Cross my ex no tic tac, Ion even really do chit chat, Big sawed off wit a kickback, Looking for the cheese where the likkz at. You switching up like you Brady, Ballin' they never could play me, Carry the drum like a cadence, Wanna talk to me gone pay me, Pop me a 30 go crazy, Rollin' could never be lazy, Alter my thoughts and be changing my mind when I think about it it’s amazing, I got a plug on the latest, Better handcuff to your lady, I ain’t trying to make you my baby, I want the cake like a happy belated, Rollin' stone I be so many places, Yellowstone call me Rip never play, Diamond on him lookin' like some Dasani, U can just call me the dock of the bay, Diamond on him lookin' like some Dasani, U can just call him the dock of the bay. And I go so hard, I really don't play You mess with my cake I come at yo face, Feel like I’m part of the alphabet a G wit a K, Feel like I’m part of the alphabet a G wit a K. You say you ready let yo soul float away, Big racks they on me and that’s all from today, Runnin' dat check up crazy gotta pay to play, Money heist I only want the code to the safe, Man down man down, I advise everybody just to stand down, Don’t ask don’t tell, Asking me questions no I do not hear a sound, Shawty she silly go dumb don’t it, I got the remedy bum bum, Out of yo misery that’s what you finna be, After we finished I’m done done.
Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass. Slick instrumental asserts a sinister power. Instrumental Heavy, skilful, fashionable. Sultry flute melody meshes with trap hi hats and sub bass. Slick instrumental asserts a sinister power. Instrumental version.
Heavy, soulful, raw. Swirling piano sample and organ meets with strings offering a serious energy, supported by wobbling organ notes. Launch into Heavy, soulful, raw. Swirling piano sample and organ meets with strings offering a serious energy, supported by wobbling organ notes. Launch into heavy sub bass and trickling percussion. Sharp bouncy lyrical delivery about asking someone to show their love. Reminiscent of a group of people looking serious, stacking money and taking care of their business.Paroles
Shawty mad at me so I had to buy a Rollie, Ice like hockey tryna block like a goalie, Mask on hittin' me a likk no Covid, Ballin' baby my game on Kobe, Finna put a tax on da ticket dat you owe me, You know I be all in da hood like a motor, Shawty said she love me so I told her gotta show it, Take her to da room baby let me see you throw it.
I just made it back in a day, I can’t even see da hate cause da racks in da way, If they ever try to play, Gotta hot pocket on me, When I pop it baby now I gotta throw it, Finna put a tax on da ticket dat you owe me, You know I be all in da hood like a motor, Shawty said she love me so I told her gotta show it, Take her to da room baby let me see you throw it.
I’m poppin' like soda, Different strands it’s a odor, Feel like quay cause I’m global, Feel like klay wit diz jumper, When I shoot I don’t miss plus I got the assist you check on my numbers, Plus I just had a party wit nothing but chicks you should check on yo woman, Runnin' up the bag got racks in da safe, Thinking he a killer wit the tats in the face, Mane fa da cheese they’ll rat on da case, Talk bad on ya back but uh dap in ya face, Roll up I gotta blow it, Pour a cup I had to slow it, Gettin' to it better know it, Talk to her like a poet.
Shawty mad at me so I had to buy a Rollie, Ice like hockey tryna block like a goalie, Mask on hittin' me a likk no Covid, Ballin' baby my game on Kobe, Finna put a tax on da ticket dat you owe me, You know I be all in da hood like a motor, Shawty said she love me so I told her gotta show it, Take her to da room baby let me see you throw it.
I just made it back in a day, I can’t even see da hate cause da racks in da way, If they ever try to play, Gotta hot pocket on me, When I pop it baby now I gotta throw it, Finna put a tax on da ticket dat you owe me, You know I be all in da hood like a motor, Shawty said she love me so I told her gotta show it, Take her to da room baby let me see you throw it.
Heavy, soulful, raw. Swirling piano sample meets with strings offering a serious energy, supported by wobbling organ notes. Launch into heavy sub Heavy, soulful, raw. Swirling piano sample meets with strings offering a serious energy, supported by wobbling organ notes. Launch into heavy sub bass and trickling percussion. Reminiscent of a group of people looking serious, stacking money and taking care of their business. Instrumental version.
